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Christopher Nolan Explains the DARK KNIGHT RISES Open-Ending which really didn’t need to be explain

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The Dark Knight Rises is specifically and definitely the end
of the Batman story as I wanted to tell it, and the open-ended nature of the film is simply a very important thematic idea that we
wanted to get into the movie, which is that Batman is a symbol.
He can be anybody, and that was very important to us. Not every
Batman fan will necessarily agree with that interpretation of the
philosophy of the character, but for me it all comes back to the
scene between Bruce Wayne and Alfred in the private jet in Batman Begins, where the only way that I could find to make a credible characterization of a guy transforming himself into Batman is if it was as a necessary symbol,and he saw himself as a catalyst for change and therefore it was a temporary process, maybea five-year plan that would be enforced for symbolically encouraging the good of Gotham to take back their city.To me, for that mission to succeed, it has to end, so this is the ending for me,and as I say, the open-ended elements are all to do with the thematic idea that Batman was not important as a man,he’s more than that. He’s asymbol, and the symbol lives on.

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Justice League Movie is a go for 2015

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The studio is expected to accelerate development of a planned “Justice League” movie that would join Superman, Wonder Woman, Batman and other characters, according to a knowledgeable person not authorized to discuss the matter publicly.

Warner hopes to shoot the film next year and release it in the summer of 2015. The studio already has a “Justice League” script in the works. Next it needs to attach a director and then cast the lead roles

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From Kane to Nolan Seventy years of Batman Infographic

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If you look at Joel Schumacher “error” instead of “era.” That’s the best!

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Movie that should be made: Batman: Puppet Master (short film)

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Someone’s been letting inmates out of Arkham Asylum…

In the months following the death of Harvey Dent, Batman, still a wanted fugitive, is pushed to his limits as a new crime wave hits Gotham. Batman’s search to find who’s responsible leads him to a showdown with the masochistic serial killer Victor Zsasz.

Meanwhile Gotham’s newest crime boss, a mysterious figure known as Scarface, has an meeting with Edward Nigma, an FBI agent, sworn to bring down Batman at all costs.

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Christopher Nolan’s Goodbye Letter to the Batman Franchise

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Christopher Nolan wrote the foreword to The Art and Making of The Dark Knight Trilogy

Alfred. Gordon. Lucius. Bruce . . . Wayne. Names that have come to mean so much to me. Today, I’m three weeks from saying a final good-bye to these characters and their world. It’s my son’s ninth birthday. He was born as the Tumbler was being glued together in my garage from random parts of model kits. Much time, many changes. A shift from sets where some gunplay or a helicopter were extraordinary events to working days where crowds of extras, building demolitions, or mayhem thousands of feet in the air have become familiar.

People ask if we’d always planned a trilogy. This is like being asked whether you had planned on growing up, getting married, having kids. The answer is complicated. When David and I first started cracking open Bruce’s story, we flirted with what might come after, then backed away, not wanting to look too deep into the future. I didn’t want to know everything that Bruce couldn’t; I wanted to live it with him. I told David and Jonah to put everything they knew into each film as we made it. The entire cast and crew put all they had into the first film. Nothing held back. Nothing saved for next time. They built an entire city. Then Christian and Michael and Gary and Morgan and Liam and Cillian started living in it. Christian bit off a big chunk of Bruce Wayne’s life and made it utterly compelling. He took us into a pop icon’s mind and never let us notice for an instant the fanciful nature of Bruce’s methods.

I never thought we’d do a second—how many good sequels are there? Why roll those dice? But once I knew where it would take Bruce, and when I started to see glimpses of the antagonist, it became essential. We re-assembled the team and went back to Gotham. It had changed in three years. Bigger. More real. More modern. And a new force of chaos was coming to the fore. The ultimate scary clown, as brought to terrifying life by Heath. We’d held nothing back, but there were things we hadn’t been able to do the first time out—a Batsuit with a flexible neck, shooting on Imax. And things we’d chickened out on—destroying the Batmobile, burning up the villain’s blood money to show a complete disregard for conventional motivation. We took the supposed security of a sequel as license to throw caution to the wind and headed for the darkest corners of Gotham.

I never thought we’d do a third—are there any great second sequels? But I kept wondering about the end of Bruce’s journey, and once David and I discovered it, I had to see it for myself. We had come back to what we had barely dared whisper about in those first days in my garage. We had been making a trilogy. I called everyone back together for another tour of Gotham. Four years later, it was still there. It even seemed a little cleaner, a little more polished. Wayne Manor had been rebuilt. Familiar faces were back—a little older, a little wiser . . . but not all was as it seemed.

Gotham was rotting away at its foundations. A new evil bubbling up from beneath. Bruce had thought Batman was not needed anymore, but Bruce was wrong, just as I had been wrong. The Batman had to come back. I suppose he always will.

Michael, Morgan, Gary, Cillian, Liam, Heath, Christian . . . Bale. Names that have come to mean so much to me. My time in Gotham, looking after one of the greatest and most enduring figures in pop culture, has been the most challenging and rewarding experience a filmmaker could hope for. I will miss the Batman. I like to think that he’ll miss me, but he’s never been particularly sentimental.

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How Much Does It Cost To Be Batman?

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We all think about it several times a day (it’s not just us, right?…right?) How much would it cost to become Batman? In anticipation of the impending release of The Dark Knight Rises, Centives decided to find out.

Batman Begins establishes in painstaking detail what it takes to become a caped crusader. Bruce Wayne first decides that he needs to find out what life is like for the poor, and escapes as a stowaway on a ship. Cost: $0.

After stealing and ending up in jail, Bruce Wayne is then solicited by the League of Shadows. They know that he’s a billionaire and so they probably charged Bruce Wayne to train him in the way of the ninja (after all, serving the cause of true justice by doing things like destroying Gotham City isn’t exactly something you make money from – you have to find sources of revenue somewhere.) An elite personal martial arts instructor costs $60 an hour. As Batman you’ll want to train for, say, four hours a day, six days a week. Assuming that it takes about a year of training the bill comes out to $74,880.

Bruce Wayne then returns to Gotham City – but he does so in a private jet. You’re also going to have to charter a plane since you can’t sneak back into the United States on a freight ship – border control would likely catch you. And you can’t just fly first class on a commercial jet since China’s immigration officials will want to know how you got into the country without a visa. Bluestar Jets promises to find you a private plane for as little as $1,550 an hour. A nonstop flight from Beijing to New York takes about 13 hours so you’re out another $20,150.

Now we come to the equipment stage. Lucius Fox outlines exactly what it takes:

Kevlar Utility Harness ($337.39)

Gas-powered magnetic grappling gun (you’ll have to do with a simple grappling hook $26.95 – although you could try launching it out of a gas-powered t-shirt cannon for $1,750.00)

Nomex survival suit for advanced infantry. Kevlar bi-weave, reinforced joints, tear resistant and bullet proof. (Lucius Fox tells us that it costs $300,000)

Memory cloth. (Look you won’t find some fabric that will allow you to fly. Your best bet is a hand glider and the cheapest is $3,390)

The Tumbler. (The closest analogue we could find is a Humvee. You won’t be tearing around roof tops in this $140,000 vehicle, but slap a bat sticker on it, make sure you stay on dark roads, and nobody will know the difference. It comes in black for an additional $1,500.)

And for the rest Bruce Wayne has to improvise. He orders 10,000 graphite helmets. These go for $244 each, although we’re sure that for such a large order you could negotiate the price down to $200. Total comes out to $2 million. He stuffs a sound amplifier into the bat-ears, and these cost $29.95.

This is perhaps a good time to mention the cost of a Butler. We don’t know how much Bruce Wayne pays Alfred, but you can get an executive personal assistant to dress your wounds, cook you meals, clean the bat droppings, and engage in witty banter for $30 an hour. 24 hours a day, 365 days a year, and you’ll be paying them $262,800.

You’ll then need some batarangs. 10 hunting boomerangs should be good enough ($281.30). Batman also carries some explosives on him, and you can get five riot grenades for $875.

Finally you’ll needs some black spray paint to bring it all together. 20 cans should do it, and the total comes out to $121.60.

You’re still missing a transmitter that can attract hundreds of screeching bats to provide cover for your escape – but rather than splurge on something like that, just carry a set of civilian clothes with you, change out of your costume, and casually walk out, blending in with the locals.

The total bill? $2.8 million to show the criminal scum that the city doesn’t belong to them. However, if you decide that you’re willing to take the risk and order just one graphite helmet rather than 10,000, you can strike terror in the hearts of criminals for just $806,386.19.

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Batman: The Animated Series’ Voice Actors Remade the ‘Dark Knight Rises Trailer

The Dark Knight & 60′s Robin

The Dark Knight Rises – Featurette By Christopher Nolan

The Dark Knight à la Hitchcock

What happens when you combine a contemporary classic with a famous film score? See for yourself.

I was experimenting with editing movie trailers when I discovered that the opening music from Alfred Hitchcock’s “Vertigo” happens to work perfectly with the opening “Bank Robbery Sequence” from Christopher Nolan’s 2008 blockbuster “The Dark Knight”. Watch closely, and you will notice that Bernard Herrmann’s music queues line up almost flawlessly with Nolan’s footage. Coincidence? We may never know…

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